This is one of those short songs studded with some quite memorable lines, such as:
God is our refuge and strength, a very present help in time of trouble (v.1)
There is a river whose streams make glad the city of God (v.4)
Be still then, and know that I am God (v.10)
It also has its own inbuilt antiphon, repeated in verse 7 and 11: “The God of hosts is with us, the God of Jacob is our stronghold.” That is frequently a key theme and the refrain in the antiphonal arrangements. However, Psalms for All Seasons generously offers seven in all, including two hymns, displaying excellent variety of style to suit many tastes:
- 46A is to a Scottish hymn tune better known as a Christmas carol regarding a midnight clear.
- 46B Dios es nuestro amparo is Spanish, with verses and refrain all in characteristic rhythm and three-chord harmony in E minor. It does have one little touch very common in Spanish songs of getting from the tonic minor to the sub-dominant minor via a transitional major on the tonic; i-I7-iv. However, it only happens once; and being on the whole less adventurous than much Latino music, particularly that with South American influences, it could lapse into the soporific.
- 46D, the next one of interest, is a repeat of an Isaac Everett setting from The Emergent Psalter. As such, it’s definitely worth a close look. PFAS adds an additional tone to sing the verses, verse 7 and 11 being sung as the refrain (music here). Everett’s sensitivity for creating an interesting and unique backing leads him to use E minor and E diminished as alternating chords throughout. It’s quite short so is not in danger of lapsing into the soporific, especially with a rocking bass line and that unusual diminished chord that implies an A7 flat 9 on a syncopated E pedal.
- 46D Alternate Refrain 1 is also attractive, coming from the Wild Goose stable and John Bell. He creates a simple two-part tune using verse 10 quoted above with a second echo voice. Many such songs just use a couple of chords so that the two parts jive: not so in this case, with clever chord progression joining both. The associated tone follows the flow and feel of Bell’s refrain tune.
- Finally, 46E uses a translation from the Book of Common Prayer, with the music of Ein Feste Burg by Martin Luther adapted to a chant. (See also Psalm 45) The text is fitted to the notes as underlay, rather than a separate text with pointing. This music is also in the exact form of a double Anglican chant with ten notes to each verse, four for the first phrase and then six for the second. More will be said on this topic in the forthcoming post on Psalm 79.
This poem is attributed to the Korahites. An Australian group taking the name of The Sons of Korah make a meal of Psalm 46 by writing three separate songs with but a few verses for each. These may be found on the 2014 album ‘Refuge‘.
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