Compared with a couple of weeks ago when I felt that we should have started at the beginning of the psalm not half-way through, this time I don't lament that we skip the first four verses. They tell us that the wicked are wicked. Big deal -- although verse 4 about the wicked 'thinking up evil on … Continue reading Psalm 36, 17 Jan 16
Tag: musical
comment on the music, harmony or character
Psalm 48, 5 Jul 15
There's something mysterious about high mountains. As Philip Marsden writes: Sacred mountains crop up in most traditional cosmologies... Olympus, Tabor, Sinai, Ararat, Fuji ... it's hard to think of a great mountain that is not linked with the gods or even a distinctive hill that has at some stage generated a local belief. (1) Marsden … Continue reading Psalm 48, 5 Jul 15
Cloud-capp’d towers
You won't find that little phrase in the psalms: but poetic imagery is there in spades. Part of the fascination of the psalter is the special place in our lives of poetry set to music. As noted previously, the synergy of music and word is somehow magical -- a classic case of the sum being greater than the … Continue reading Cloud-capp’d towers
Psalm 16, 15 Nov 2015
Most weeks I look up the lectionary and, lacking a reliable (let alone encyclopaedic) memory, the first thing I do is look back in this blog history or my Psalm Library to see what goodies I have in the cupboard from last time. There I find a couple of settings of Psalm 16 and things that I … Continue reading Psalm 16, 15 Nov 2015
Psalm 51; a tale
The recent recurrence on 2 August of Psalm 51, of which much has been written in this blog, reminds us of another popular story. In Latin, the psalm begins 'Miserere' meaning 'Have mercy' (for more, see for example the post for 15 March 2015>). A quite stunning and famous setting by Gregorio Allegri was written for two choirs in about … Continue reading Psalm 51; a tale
Roland de Lassus, Psalm 105
Roland de Lassus, (1532-1594) or Orlando di Lasso as he was known in Italy where he spent some years, was one of the towering composers of the late Renaissance in 16th century Europe. His mastery, breadth and sheer productivity made him famous in his time. Dynamic and emotional by nature, Lassus in his music strove … Continue reading Roland de Lassus, Psalm 105
Psalm 105, 27 July 14
Psalm 105 is a song of praise, as indeed are 106 and 107 that follow. The opening lines sound familiar, as such phrases occur throughout the Bible: Confitemini Domino et invocate nomen ejus Give glory to the Lord, and call upon his name The next verse narrows the focus to set the theme as historical narrative, evidence that has provided confidence for … Continue reading Psalm 105, 27 July 14
Pärt and Psalm 100, 17 April 14
For those interested in sacred songs that you will probably never hear at South Woden, The Oriana Chorale will sing music of some interest at Wesley Uniting Church on Thursday 17th April ('Maundy' or Holy Thursday) at 7:00 pm. Their notice says: The principal work will be Arvo Pärt’s 1990 Berlin Mass. The sections of the Mass … Continue reading Pärt and Psalm 100, 17 April 14
Psalm 119, 16 Feb 14
This week and next, we dip into two sections of the longest psalm. The psalm We're talking Psalm 119, of course - not the whole lot, as it runs to 176 verses, just the first eight. This long psalm is a succession of 8-verse sections, each acrostically labelled with a Hebrew letter. We sing Aleph this week and He the following … Continue reading Psalm 119, 16 Feb 14
Mystery mediaeval music
Quiz of the Season. Thank you ladies and girls for the rendition of the Magnificat today. So, over half-way through Advent and just when you thought it was safe to open the mail, here's a twister. What is this early chant all about? (I won't ask if you can sing it) Of course, after our … Continue reading Mystery mediaeval music
Psalms in the South 