‘Unless God builds the house, in vain the builders labour.‘ (1)
This opening assertion, and the next one that watchmen over the city without divine protection are wasting their time, is a reminder not to build on the sand. Without reference to biblical principles and spiritual inspiration, the danger of self-satisfaction arises. This is worth consideration by anyone undertaking a new project, or just continuing the fight against injustice.
Then there’s a sweet section about the joys of having children, seen as a ‘heritage’ and a ‘gift’. (3) This text is said to be an inspiration behind some of the poetry in Kahlil Gibran’s ‘On children’ from The Prophet.
Tomas Luis de Victoria wrote three settings of sections of Psalm 127 (126 in the Vulgate) for 3, 4 and 8 voices. The quartet, as shown above, is for odd verses only as a vespers psalm, allowing for a priest or cantor to sing the even verses.
And speaking of vespers there is the great Vesperis in Festis Beata Mariae Vergine, usually just called the 1610 Vespers by Claudio Monteverdi. This is much broader in scope than just one psalm; indeed, the whole work revolves around six psalms. 127 is included in this wide-ranging composition, along with several other vespers psalms like 122, 137 and 147, calling for a choir of six or eight voices. These are all separated by a variety of lighter motets.
The 1610 Vespers is usually accompanied by harpsichord, basso continuo and such early instruments as are available — theorbo, portative organ, strings and reed or horn. The whole work takes about an hour and a half, last sung by this author many years ago with the then Bromley Singers in London.
This is not one to cobble together with a few keen volunteers on short notice.
PFAS 127B is worth a look. The refrain is antiphonal and, being syncopated, might take a little learning. Verses are sung to a nice tone.